• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Ashraf Jamal

A review by Ashraf Jamal

Newness Enters the World: Stevenson’s ‘When Works Meet’

A review by Ashraf Jamal

Undivided Divinity: ‘Willem Boshoff: Assemblage and Collage’ at the Villa-Legodi Centre for...'

A review by Ashraf Jamal

Spirits on a Human Path: ‘Ecospheres’ at the Joburg Contemporary Art Foundation

A feature by Ashraf Jamal

Dancing Star: Daniel Stompie Selibe at Victoria Yards

A review by Ashraf Jamal

Mad World: The Art of Madame Zo

A feature by Ashraf Jamal

R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair

A review by Ashraf Jamal

A story in blues, black and white: Robin Rhode’s ‘The Abandoned Garden’

A review by Ashraf Jamal

Fresh and abuzz: ‘New Day’ at Graham Contemporary

A review by Ashraf Jamal

Elegant Inscrutability: Ronél De Jager’s ‘Still Here’

A feature by Ashraf Jamal

Plus Ultra: Brett Shuman’s Signs and Sequences

A review by Ashraf Jamal

Deep Calls Unto Deep: Sibusiso Ngwazi’s Brilliant Wager

A feature by Ashraf Jamal

Perversity-Divinity-Wonder: The AVA, 50 Years in the Making

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

Buy

Great

Art