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Barnabas Ticha Muvhuti

A review by Barnabas Ticha Muvhuti

Return to source: Pyda Nyariri’s ‘Artist Room’

A feature by Barnabas Ticha Muvhuti & Fadzai Muchemwa

Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’

A feature by Barnabas Ticha Muvhuti

Endless Journey: on Senzo Shabangu’s Landscapes

A review by Barnabas Ticha Muvhuti

Restorative Nostalgia: Joël Mpah Dooh’s ‘Stories to Tell’

A review by Barnabas Ticha Muvhuti

Painting with Words and Brush: Misheck Masamvu’s ‘Talk to me while I’m eating’

A review by Barnabas Ticha Muvhuti

Rendering the Unseeable: on Pardon Mapondera

A review by Barnabas Ticha Muvhuti

Essential Work: Jabulani Dhlamini’s ‘the everyday waiting’

A review by Barnabas Ticha Muvhuti

Coded Inscriptions: Blessing Ngobeni’s ‘Chaotic Pleasure’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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