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Isabella Kuijers

Jared Ginsburg. Music stands, motors and various objects, dimensions variable (height: 149 cm)
A review by Isabella Kuijers

Playing not practicing: Jared Ginsburg’s ‘Interludes’

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

A review by Isabella Kuijers

Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery

Thomas Cartwright We Got Nothing Much To Lose, 2016. Oil on Board
A review by Isabella Kuijers

Fading Light: ‘Nocturne’ at Everard Read

Alexandra Karakashian Ground X, 2016. Oil and salt on paper
A review by Isabella Kuijers

A Dark Ascending Horizon: Alexandra Karakashian’s ‘Ground’

Kendall Buster, fragments and mutations 17, 2015-2016. Digital print from National Geographic Magazine images 1970-1980
A review by Isabella Kuijers

The City and The City: Kendall Buster’s ‘dis-assembling utopia’

A review by Isabella Kuijers & Lloyd Pollak

Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’

A review by Isabella Kuijers

Copper Sheen and Stark Reflections: Rowan Smith & Xhanti Zwelendaba’s ‘Chamber of Mines’

A review by Isabella Kuijers

Gory Impasto: Johann Louw’s ‘Loog’

A review by Isabella Kuijers

Gold mine or mine field? Jonah Sack’s ‘Obstruction’

A feature by Isabella Kuijers

History in a Different Form: An Interview With Sue Williamson

Willem Boshoff Reap the Whirlwind 2015. Wood and farmer's sickles. 187 x 373 x 7 cm
A review by Isabella Kuijers

Word Woes: Willem Boshoff’s ‘Reap the Whirlwind’

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Georgina Gratrix, Flowers for I.G. Silkscreen on Zerkall Intaglio 250gsm, 50.5 x 65.5 cm

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