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Lwandile Fikeni

Mikhael Subotzky WYE, 2016. Three-channel video installation
A review by Lwandile Fikeni

Manufacturing Otherness from Within: Mikhael Subotzky’s ‘WYE’

The Brother Moves On / Hlabelela: It’s a New Mourning Nkush / 2016 | Installation view: Goodman Gallery, Johannesburg
A review by Lwandile Fikeni

The Spectacle of Poverty: The Brother Moves On at Goodman Gallery

Mary Sibande, Right Now!, 2016. Digital pigment print
A review by Lwandile Fikeni

The spring show and the end of history

A feature by Lwandile Fikeni

A conversation with Roger Ballen: The Repressive Nature of Society

Jonathan Hindson Walk on By , 2015. Mixed media on wood
A review by Lwandile Fikeni

Alienation, Home and Humanity: Jonathan Hindson’s ‘Home’

Diane Victor The parable of the selfie and the self-perpetuating problem, 2015. Charcoal, pastel and ash on paper 100 x 151cm
A review by Lwandile Fikeni

A brief study in white suburban fears: Diane Victor’s ‘One Pound of Flesh’

A review by Lwandile Fikeni

Senzo Shabangu: Joburg Blue Skies and Bright Lights

A review by Lwandile Fikeni

The Stains of History: Haroon Gunn-Salie’s ‘History After Apartheid’

A feature by Lwandile Fikeni

At the Corner of Polyester and Vine

Ian Grose, Dissimulation 13, 2015. Oil on linen, 168 x 149cm
A review by Lwandile Fikeni

Ian Grose: On Art, materiality and materialism

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A review by Lwandile Fikeni

Dan Halter: Immigration and the Problematic of Representation

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