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Misha Krynauw

A review by Misha Krynauw

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

A review by Misha Krynauw

Many threads in a small window: The Cubicle series at Everard Read

A feature by Misha Krynauw

Entangled within a world of others: an interview with Gabrielle Goliath

A feature by Misha Krynauw

Pivot Point: on Gaelen Pinnock and Mia Thom

A review by Misha Krynauw

Effulgent Presence: Fanie Buys’s ‘Miss’

A review by Misha Krynauw

Mutual Mourning: FAITH XLVII’s ‘CHANT’

A review by Misha Krynauw

Intimate Anecdotes: Brett Charles Seiler’s ‘Timber’

A review by Misha Krynauw

Solidity and Malleability: Rory Emmett’s ‘HEWN’

A feature by Misha Krynauw

Colouring Skin: On Tizta Berhanu, Thembinkosi Goniwe, and Dada Khanyisa

A review by Misha Krynauw

Earnest Creation: Lady Skollie’s ‘Bound’

A review by Misha Krynauw

Depths of Dreaming: Akudzwe Elsie Chiwa’s ‘Nocturnes’

A feature by Misha Krynauw

Literature and Linework: On Zona Magadla, Emma Richardson, and Dale Lawrence

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Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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