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Chad Rossouw

A student review by Sonja Voigts

Exploration of the self: Georgina Gratrix’s ‘The Reunion’

A student review by Isabella George

Opposites Attract: ‘I have made a place’ at Norval Foundation

A student review by Cheyenne Fernánda Miller

An Ethereal Lunar Songbook: Athi-Patra Ruga’s ‘iiNyanga Zonyaka’

A student review by Aidan Murgatroyd

Physiological Space and Psychological Space: ‘I have made a place’ at Norval Foundation

A student review by Jared Laggar

Hope and Nature: ‘I have made a place’ at Norval Foundation

A student review by Anya Brilus

More than just a 3D Portrait: Georgina Gratrix’s ‘The Reunion’

A student review by Jenna Cawood

My Home and Your Home: ‘I have made a place’ at Norval Foundation

A review by Anna Stielau

The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’

A review by Lukho Witbooi

Spiritual Cleansing: Pardon Mapondera’s ‘Hutsanana’

A review by Annabelle Wienand

Erasure and Clarity: Jean Brundrit’s ‘Over the Horizon’

A student review by Jared Laggar

Refreshing mix: Christiaan Conradie’s ‘Against A Narrow Heart’

A student review by Isabella George

Buffering between past and present: Callan Grecia’s ‘A Percy Shelly poem from Rome’

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Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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