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Claire May van Blerck

Kirsten Lilford Week end, 2014. Oil on canvas, 90 x 150 cm
A review by Alice Gauntlet

The uncanny distance of Kirsten Lilford and Sarah Biggs

Sidy Diallo Points et Iténeraire 1 and Points et Iténeraire 2, 2013. Acrylic and Pastel on canvas (diptych), Each: 200 x 150 cm
A review by Themba Tsotsi

Processions of Migration with Sidy Diallo

David Lurie Refugee from DRC, Zonnebloem, Cape Town, 2013. Digital print on fibre-based archival paper, 65 x 97 cm
A review by Anna Stielau

Morning after Dark

Zander Blom New Paintings, 2014. Installation view, STEVENSON, Cape Town
A review by Anja de Klerk

Student Review: Playing nicely?

Mark Landis at home with recent works (photograph by Sam Cullman, courtesy of Oscilloscope Laboratories)
A story by Hyperallergic

Documentary: Mark Landis

Public Art Competition
A news item by Artthrob

Public Art Competition

Elizabeth Jane Balcomb I am you & Survival, 2014. Mixed Media
A news item by Artthrob

Elizabeth Jane Balcomb wins Sasol New Signatures competition

Mary Sibande The Reign, 2010. Mixed Media
A review by Tim Leibbrandt

Brave New World

Gordon Clark Evolution, 2013. Crystal Archive Print, 80 x 98 cm
A review by Tammy Fabian

Student Review: Groot Geraak

Mikhael Subotzky Verdaille II: After Christopher Sibidla, 2014. Five inkjet prints in custom walnut triptych frame, two autostereograms. Two in an edition of three variations with two APs, 181 x 168 cm (closed), 181 x 336 cm (open)
A review by Chad Rossouw

Show ‘n Tell

Santu Mofokeng Winter in Tembisa, 1991. Silver gelatin print
A review by Kim Miller

Contemporary Art/South Africa

No fixed Abode, 2014. Installation view: The New Church Museum
A review by Thea Ferreira

Student Review: No place like home

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