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Matthew Blackman

Adam Broomberg & Oliver Chanarin, Haggai, 2013. King James Bible, Hahnemühle print, brass pins, Framed: 34.5 x 45.5 x 5 cm. Edition of 3
A review by Isabella Kuijers

The Gospel According To Broomberg And Chanarin

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A feature by Matthew Blackman

The Memory of Things Present

A news item by

Matthew Blackman

Venice Biennale: Artists and Vision Announced

Burning Museum, Burning Bridges series. Strand street (beneath the N2 flyover, Woodstock) Image from the Van Kalker archive
A feature by Tim Leibbrandt

The Agonistic Politics of Burning Museum

The End of the Rhodes
A picture collection by

Matthew Blackman

The End of the Rhodes – Video

Removal of the UCT Cecil John Rhodes Statue, April 2015
A picture collection by

Matthew Blackman

Public Sculptures at UCT

Installation for The Curve, Barbican Art Gallery, 2010. Céleste Boursier-Mougenot. Photo © Associated Press
A story by

Matthew Blackman

ArtReview Interviews Venice Bound Artists & Curators

JM Coetzee
A story by

Matthew Blackman

JM Coetzee: Universities head for extinction

Kerry Chaloner, nowhere 1, 2014. Sulphur and transparent medium on raw canvas, 100 x 75 x 4 cm
A story by Artthrob

The Claims of the Land

A story by Imraan Coovadia

The Day of the Jekyll

Kemang Wa Lehulere, falling event 2, 2014. Ink on paper, 70.5 x 100 cm © Copyright 2015, STEVENSON. All rights reserved.
A review by Tim Leibbrandt

Investigating Kemang Wa Lehulere

Penny Siopis Pinky Pinky series, 2002-2005. Installation of 10 paintings, oil and found objects on canvas
A review by Anna Stielau

Penny Siopis’ Time and Again

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Design by Blackman Rossouw

Hentie van der Merwe, Bijimer groups. Set of 4 Lambda prints, Each: 25 x 25 cm

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