What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’
Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
Generations: An interview with curators Natasha Becker and Amogelang Maledu
Artists Announced: The 2024 South African Pavilion at the 60th La Biennale di Venezia
Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’
A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’
Contradictions of Looking: A (Final) Letter from the Editor
The Transience of Time: Zayaan Khan’s ‘A Practice in Light and Death’
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