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nkgopoleng

A feature by ArtThrob Editors

Inspired by Children: Five Questions with Shade Director, Tamzyn Botha

A review by Luca Evans

The Dog Is Chasing Its Tail: Tshepo Sizwe Phokojoe’s ‘The Gods Must Be Crazy’

A review by Tiyani Rikhotso

Precarious Times: Svea Josephy’s ‘Cities of the Future – In the Past’

A news item by ArtThrob Editors

South African Pavilion 2026: Independent Curatorial Committee Announced

A feature by ArtThrob Editors

Five Questions: Asemahle Ntlonti on her upcoming show, ‘Gqal’emgqubeni’, at blank

A review by Lukho Witbooi

Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation

A news item by ArtThrob Editors

black, lesbian, socialist, mother, warrior, poet: Alice Diop’s ‘Fragments for Venus’

A feature by Nkgopoleng Moloi

Feminist Technoscience Critique: An Interview with Mindy Seu

A feature by ArtThrob Editors

Five Questions: Hamzeh Alfarahneh, curator of ‘By the Movement of All Things’

A feature by Nkgopoleng Moloi

The Journey Continues: Irma Stern Museum Public Consultation

A news item by ArtThrob Editors

Long Life: Steven Cohen at Iziko South African National Gallery

A news item by ArtThrob Editors

61st Venice Biennale: Open Call for The South African Pavilion

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Design by Blackman Rossouw

Dineo Sheshee Bopape, Chat-Scat. Screenprint on archival cotton rag paper, 66 x 50.5 cm

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