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nkgopoleng

A review by Zada Hanmer

Almost Being: Daneel Thumbiran’s ‘Brahmacarya’ at Bag Factory

A review by Emily Freedman

Making & Remembering: Aaron Philander’s ‘Nanna’s Kitchen’ at AVA Gallery

A story by Artthrob

Winter Warmers: Recommended Reading and Listening by our Contributors

A feature by Dr. Phokeng Setai

A Grammar for the Future: The Institutional Artistry of Koyo Kouoh

A review by Christa Dee

Reflections on City Life: Three Highlights from the RMB Latitudes Art Fair

A review by Emily Freedman

To Mirror Unreality: Yolanda Li’s ‘Turning and Turning’ at Lemkus Gallery

A review by Lukho Witbooi

There’s something I must tell you: Sue Williamson’s retrospective at the Iziko South African...'

A feature by Thulile Gamedze

On Circuitry and Iterative Practice: Yonela Makoba’s Ritual Studies

A review by Zada Hanmer

In Communion: Nolan Oswald Dennis’ ‘UNDERSTUDIES’ at Zeitz MOCAA

A feature by Yolo Mantiyane

Freedom of Movement: Navigating Language and Landscape

A review by Nolan Stevens

Between Folds & Forms: Usha Seejarim’s ‘Unfolding Servitude’ at Southern Guild

A feature by Nkgopoleng Moloi

In Focus: Five Questions with Billie Zangewa

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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