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Tim Leibbrandt

Joël Andrianomearisoa, The Skinny Boy (The Future), 2016. Denim strips, 90 x 12 x 18cm
A feature by Artthrob

Cape Town Art Fair ’17: Meet the Artists of ‘Tomorrows/Today’

Paolo Woods & Gabriele Galimberti, A man floats in the 57th-floor swimming pool of the Marina Bay Sands Hotel, with the skyline of the Singapore financial district behind him, 2013.
A review by

Tim Leibbrandt

Floating Critique: ‘1% Privilege in a Time of Global Inequality’ at Chavonnes Battery Museum

Nicholas Hlobo, Sewing Saw, 2016. Installation view and detail from performance: Stevenson, Cape Town
A review by Anna Stielau

Enigmatic Yarn: Nicholas Hlobo’s ‘Sewing Saw’

A feature by Valeria Geselev

The Exhibition that Missed its Audience: The Day Helen Sebidi Didn’t Meet the Students

H!JACK, Alien Inhabitant, 2015.
A story by Brett Charles Seiler

‘Material City’: Brett Charles Seiler chats to Sandile Radebe

A picture collection by Artthrob

Art-Binge: Joburg, November 2016

Joël Mpah Dooh, Since We Last Met, 2016. Installation View: Gallery MOMO, Johannesburg
A review by Tymon Smith

Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’

A review by Felix Kawitzky

Kiss Kiss (or, The Void Vores Back): Frances Goodman’s ‘Degreened’

A story by Artthrob

Goodman Gallery Turns 50

Simphiwe Ndzube, Inevitable Journey to Mars I, 2016. Acrylic paint on perspex print, 120 x 240 cm
A review by Nkule Mabaso

Perched at the edge of Precarity: Simphiwe Ndzube’s ‘Becoming’

Kyle Morland, Assemble, 2016. Installation view: blank projects, Cape Town
A student review by Josiah Mackey

Student Review: Kyle Morland’s ‘Assemble’

A story by Artthrob

Cape Town Art Fair 2017 Update: Galleries and Highlights

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