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Tim Leibbrandt

A review by Isabella Kuijers

Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery

Josie Grindrod at the Irma Stern Museum, Cape Town
A review by Anna Stielau

Rolling Lawns and Exorcisms: Josie Grindrod’s ‘Last Light’

A picture collection by Artthrob

Art-Binge: Cape Town, October(ish) 2016

A student review by Nicoletta Michaletos

Student Review: Ed Young’s ‘Little’

Jeanne Gaigher, Feet, 2016. Acrylic and ink on canvas, 77 x 182 cm
A student review by Keren Bauman

Student Review: Jeanne Gaigher’s ‘Wieg’

A picture collection by Artthrob

Art-Binge: Joburg, October 2016

Kevin Atkinson, Horizon Doing, 1977. Oil on canvas, 167,5 x 244 cm
A review by Lloyd Pollak

The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’

Wim Botha, Untitled (Bloom 9), 2016. Wax pigment, crystal, polystyrene, glass, film, and wood, 22 x 14,5 x 11 cm
A student review by Daniel Rautenbach

Student Review: Wim Botha at Stevenson

A story by Artthrob

Candice Breitz And Mohau Modisakeng To Represent South Africa At The 57th Venice Biennale In 2017

Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

A story by Artthrob

Standard Bank Young Artist 2017 Award Winners Announced

Igshaan Adams (in collaboration with Kyle Morland), Stoflike-oorskot, 2016. Woven nylon rope string and mild steel, approx 300 x 120 x 240 cm
A student review by Daniel Rautenbach

Student Review: Igshaan Adams’ ‘Oorskot’

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Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

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