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Feature

Judith Mason, The Man who Sang and the Woman who kept Silent (Triptych), 1998. Composite view of the triptych
A story by Kim Berman

A Tribute to Judith Mason

Lynette Bester, Fissure II, 2016. Wooden components from 1890's stand up piano donated by Ilona Steverlynck-McCallum
A feature by Chad Rossouw

Fissure and Dust: In Conversation with Lynette Bester

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob chats to Tumelo Mosaka

Joël Andrianomearisoa, The Skinny Boy (The Future), 2016. Denim strips, 90 x 12 x 18cm
A feature by Artthrob

Cape Town Art Fair ’17: Meet the Artists of ‘Tomorrows/Today’

A story by Artthrob

A Letter to Iziko Regarding ‘Our Lady’

A feature by Valeria Geselev

The Exhibition that Missed its Audience: The Day Helen Sebidi Didn’t Meet the Students

Okwui Enwezor and Artur Walther at the Performa gala
A feature by Sue Williamson

Sue Williamson’s Diary: An interview with Okwui

H!JACK, Alien Inhabitant, 2015.
A story by Brett Charles Seiler

‘Material City’: Brett Charles Seiler chats to Sandile Radebe

A feature by

Chad Rossouw

Dialogue and value

A story by Artthrob

Goodman Gallery Turns 50

A story by Artthrob

Archive Dive: Goodman at 50

Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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