Feature
Tracing the Body’s Language: Movement in Igshaan Adams’s Practice
Mythmaking: The Legacy of District Six’s Kewpie
Sensorial Communion: POOL’s ‘The Art of Bees and Gardens’
A Spotlight on Clay: Navigating the noise with ‘Art Formes’
Still Making Waves: The Casablanca Art School
Class is in Session: Knowledge Dissemination in Mawande Ka Zenzile’s ‘uZenzile akakhalelwa…’
Capturing Essence: Marlene Dumas’ ‘Portrait of Elisabeth Eybers’ at the Wits Art Museum
Refuge: A Tapestry of Contradictions and Convergence at the 2024 Lagos Biennial
R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair
Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
Nothing more to show!
No more pages to load