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Feature

A feature by Voni Baloyi

Class is in Session: Knowledge Dissemination in Mawande Ka Zenzile’s ‘uZenzile akakhalelwa…’

A feature by Zada Hanmer

Capturing Essence: Marlene Dumas’ ‘Portrait of Elisabeth Eybers’ at the Wits Art Museum

A feature by Sinazo Chiya

Refuge: A Tapestry of Contradictions and Convergence at the 2024 Lagos Biennial

A feature by Ashraf Jamal

R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair

A feature by Madeleine Bazil

Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’

A feature by Zada Hanmer

Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’

A feature by Nkgopoleng Moloi

Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’

A feature by Sindi-Leigh McBride

What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin

A feature by Mpumi Mayisa

Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’

A feature by Nkgopoleng Moloi

Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair

A feature by Nkgopoleng Moloi

Generations: An interview with curators Natasha Becker and Amogelang Maledu

A story by Artthrob

Best of 2023: Contributors’ picks

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Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

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