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News

A news item by ArtThrob Editors

In Solidarity with Gabrielle Goliath: The Arts Community Issues a Statement and Petition

A news item by ArtThrob Editors

Statement on Venice Biennale: Ministry of Sport, Arts & Culture South Africa

A news item by Greer Valley & Molemo Moiloa & Nomusa Makhubu & Sean O'Toole & Tumelo Mosaka

Public Statement: The Selection Committee for the South African Pavilion at the 61st Venice Biennale,...'

A news item by ArtThrob Editors

South African Pavilion 2026: Independent Curatorial Committee Announced

A news item by ArtThrob Editors

black, lesbian, socialist, mother, warrior, poet: Alice Diop’s ‘Fragments for Venus’

A news item by ArtThrob Editors

Long Life: Steven Cohen at Iziko South African National Gallery

A news item by ArtThrob Editors

61st Venice Biennale: Open Call for The South African Pavilion

A news item by ArtThrob Editors

Call for Submissions: Javett-UP’s ‘Tlhagella Incubation Programme’

A news item by ArtThrob Editors

Proof of Life: Ravelle Pillay at the National Portrait Gallery

A news item by ArtThrob Editors

Tears Now But Heaven Tomorrow: An Exhibition Honouring the Legacy of Githan Coopoo

A news item by ArtThrob Editors

2025 Sasol New Signatures: Honours student from Gqeberha take the prize

A news item by ArtThrob Editors

Lord, I gotta keep on (movin’): Athi-Patra Ruga at The Leslie-Lohman Museum of Art in New York

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Willem Boshoff, Political Candy Floss, 2009. A hand-printed single-colour Drypoint etching on Hahnemuhle Natural White 300gsm, Each: 78 x 106 cm

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