Primary

A review by Ashraf Jamal

Elegant Inscrutability: Ronél De Jager’s ‘Still Here’

A review by Sindi-Leigh McBride

Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’

A feature by Barbara Rousseaux

Partnership is life: PLAYCE, Shade and Brixton

A feature by Setumo-Thebe Mohlomi

Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’

A review by Georgia Munnik

Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’

A review by Misha Krynauw

Rot and rebirth: ‘Spring Awakening’ at Southern Guild

A review by Dinika Govender

Material is the message: Nina Barnett & Jeremy Bolen’s ‘Weight in the Air’

A review by Lumumba Mthembu

Hybridity & the politics of the self: ‘Nguni – Kwelakithi’ at KZNSA

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

A news item by Artthrob

Marilyn Martin, former director of the South African National Gallery, passes

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Barbara Rousseaux & Sindi-Leigh McBride

Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'