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Nigel Mullins, Artefacts from the Age of Conquest , 2017. Oil on Superwood and copper wire
A review by Dave Mann

Inside and Outside the Image: Nigel Mullins’ ‘Artefacts from the Anthropocene’

A review by Nolan Stevens

Woven Narratives: Priya Ramrahka’s ‘A Pan African, Perspective 1950 – 1968’

A review by Nicola Kritzinger

What you need in the afterlife: Steven Cohen’s ‘put your heart under your feet… and walk!’

Kapwani Kiwanga, The Sun Never Sets, 2017. HD video, 10 minutes
A review by Sipho Mdanda

In Search of Hidden Truths: Kapwani Kiwanga’s ‘The Sun Never Sets’

A feature by Sue Williamson

Sue Williamson’s Diary: Ten Days in Delhi

Kudzanai Chiurai, We Live in Silence XVIIII, 2017. Pigment ink on fibre paper, 130 x 173.5 cm
A review by Motlatsi Khosi

Waking From Dreams of Democracy: Kudzanai Chiurai’s ‘We Live in Silence’

A review by Isabella Kuijers

Outside of Time: ‘A Continent Beyond’ at Gallery MOMO

Moshekwa Langa, Overseas II , 2017. Mixed media on paper, Right panel of diptych, 100 x 140 cm
A review by Percy Mabandu

Mining Memories for Meaning: Moshekwa Langa’s ‘Fugitive’

Faith XLVII & Imraan Christian, 21.10.2015 (I) , 2016. Collage on Board, 48 x 63 cm
A review by Valeria Geselev

14 Notes on ‘Dislocation’ at Everard Read, Cape Town

A review by Scott Eric Williams

Blue-collar Banter: Rory Emmett and Ronald Muchatuta at the AVA Gallery

Todd Gray, Flora Africanus (Shadow), 2017. 2 archival pigment prints in found artist’s frames 106.5 x 66 cm
A review by Kopano Maroga

Space is our Place: Todd Gray’s ‘Pluralities of Being’

Jaco van Schalkwyk, -arium, installation view: Barnard Gallery, 2017. Courtesy of Barnard Gallery
A feature by Natasha Norman

-arium: Interview with Jaco van Schalkwyk

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William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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