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A news item by ArtThrob Editors

Watery Reflections: ‘And I, a newly evolved fish’ at The CHR’s Iyatsiba Lab

A news item by ArtThrob Editors

The Poetics of Quiet: Naledi Maifala Wins the 2025 ANNA Award

A news item by ArtThrob Editors

2025 FNB Art Prize Winner: Maseru-based artist Thato Toeba

A review by Zada Hanmer

Sacred Earth: Mellaney Roberts’ ‘Waar Bloed Nie Loop Nie’ at Berman Contemporary

A feature by Nkgopoleng Moloi

Africa’s Art Ecosystem: Five Essential Art Foundations

A news item by ArtThrob Editors

Toward a New African Art Discourse: Duke University Press to Release Okwui Enwezor’s ‘Selected...'

A feature by Voni Baloyi

Where to go from here, there & everywhere: The 2025 Heat Festival

A news item by ArtThrob Editors

2025 Rencontres d’Arles: South African Photographer Vuyo Mabheka Wins Prestigious Author Book Award

A news item by ArtThrob Editors

Cycladic Blues: Marlene Dumas at The Museum of Cycladic Art in Athens

A review by Beulah Kruger

An Anxiogenic Bearing: Vusumzi Nkomo’s ‘Games of Property’ at blank

A feature by Nkgopoleng Moloi

Beyond the White Cube: An interview with Dr. Same Mdluli on Standard Bank’s New Art Lab

A feature by Voni Baloyi

Reclamation: ‘HOME’ at the doorstep of Bo-Kaap

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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