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A review by Setumo-Thebe Mohlomi

Reckoning with new audiences: FNB Art Joburg 2023

A review by Keely Shinners

Return to the body: 35th São Paulo Bienal – choreographies of the impossible

A review by Lifang Zhang

Visual Dialectics: Blessing Ngobeni’s ‘Ntsumi Ya Vutomi’

A review by Ben Albertyn

Neither here, nor there: Inga Somdyala’s ‘As far as the sea’

A story by Keely Shinners

Editor’s Picks: FNB Art Joburg 2023

A feature by Keely Shinners

Q&A with FNB Art Prize winner: Lindokuhle Sobekwa

A review by Nkgopoleng Moloi

Communing with the dead: Maggie Laubser’s ‘Portraits and the Landscape: 1886–1973’

A feature by Josh Stockhall

Ramshackle Review: Art in the Karoo

A review by Bongo Mei

The Body Has Many Shadows: The Sculptures of Sydney Kumalo and Ezrom Legae

A review by Misha Krynauw

Each line a reckoning: Portia Zvavahera’s ‘Pane rima rakakomba’

A review by Sihle Motsa

Plantation Inheritances: Zenaéca Singh in ‘US’

A review by Nkhensani Mkhari

Otherscapes: A Meditation on South Africa’s Past, Present and Future

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