Secondary

A review by Lumumba Mthembu

Who was not invited?: ‘POWER Exhibition’ at Community ZA

A review by Sonya Solanki

Subverted structures: ‘Customs’ at A4

A review by Dinika Govender

Warm, soft, green: Zandile Tshabalala’s ‘Lovers In A Secret Place’

A review by Nkgopoleng Moloi

Abstractions of home: ‘Home Strange Home’ at WITW X KRONE

A review by Vusumzi Nkomo

Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’

A review by Lukho Witbooi

Atemporal Wonders: David Koloane’s ‘A Quiet Stature’

A review by Ashraf Jamal

Elegant Inscrutability: Ronél De Jager’s ‘Still Here’

A review by Sindi-Leigh McBride

Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’

A feature by Barbara Rousseaux

Partnership is life: PLAYCE, Shade and Brixton

A feature by Setumo-Thebe Mohlomi

Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’

A review by Georgia Munnik

Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’

A review by Misha Krynauw

Rot and rebirth: ‘Spring Awakening’ at Southern Guild