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A review by Dinika Govender

Material is the message: Nina Barnett & Jeremy Bolen’s ‘Weight in the Air’

A review by Lumumba Mthembu

Hybridity & the politics of the self: ‘Nguni – Kwelakithi’ at KZNSA

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Barbara Rousseaux & Sindi-Leigh McBride

Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'

A feature by Misha Krynauw

Moments before meaning: A conversation with Lerato Shadi

A review by Sean O'Toole

Raw materials make magic: Bella Knemeyer and Unathi Mkonto

A review by Georgia Munnik

For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A review by Ben Albertyn

Sleepovers and Other Performances: ICA Live Art Festival 2022

A student review by Tazmane Hoon

Sonic guides: Tracey Rose’s ‘Shooting Down Babylon’

A student review by Logan Van Zyl

Frame & Reframe: Johannes Phokela’s ‘Only Sun in The Sky Knows How I Feel (A Lucid Dream)’

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