• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Secondary

A student review by Tazmane Hoon

Sonic guides: Tracey Rose’s ‘Shooting Down Babylon’

A student review by Logan Van Zyl

Frame & Reframe: Johannes Phokela’s ‘Only Sun in The Sky Knows How I Feel (A Lucid Dream)’

A review by Zoé Samudzi

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

A feature by Lindiwe Mngxitama

Of opaque tongues and a poetics of abstraction: A conversation with Kamyar Bineshtarigh 

A review by Misha Krynauw

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

A feature by Ashraf Jamal

Plus Ultra: Brett Shuman’s Signs and Sequences

A review by Lumumba Mthembu

Interrupting the Archive: Luvuyo Equiano Nyawose’s  eBhish’

A review by Georgia Munnik

Pulling Forces: Antonia Brown and Matheline Marmy

A review by Lukho Witbooi

Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens

A feature by Keely Shinners

Cape Town Art Fair: An Editor’s Diary

A review by Dinika Govender

Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF

A feature by Vusumzi Nkomo

The softness of things: An interview with Mongezi Ncaphayi

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

Buy

Great

Art