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Goodman Gallery

A review by Dave Mann

A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s...'

A review by Thuli Gamedze

In the Between: Sam Nhlegethwa’s ‘Waiting’

A feature by Misha Krynauw

The Masses Are Not Being Listened To: In conversation with Sam Nhlengethwa

A review by Keely Shinners

Tending to the Past: ‘In Context / This Past Was Waiting for Me’ at Goodman Gallery

A review by Tymon Smith

Distinctive Celebrations: Yinka Shonibare’s ‘Ruins Decorated’

A feature by

Tim Leibbrandt

Keeping the Blinkers off: an Interview with Haroon Gunn-Salie

A feature by

Megan McNamara

Yinka Shonibare, MBE | Ruins Decorated | Goodman JHB

A review by Tymon Smith

Shared Commitments: David Goldblatt & Peter Magubane’s ‘On Common Ground’

A review by Nolan Stevens

Hidden Soliloquys: Jabulani Dhlamini’s ‘iQhawekazi’

A picture collection by Artthrob

Art-Binge: Joburg, May 2018

A picture collection by Artthrob

Art-Binge: Joburg, April 2018

A review by Nicola Kritzinger

No Heroes Outside: Broomberg & Chanarin’s ‘Bandage the knife not the wound’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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