![](https://artthrob.co.za/wp-content/uploads/2022/08/Lunga-Ntila-SomethingKeepsCallingMe-2019-DigitalCollage-on-Felix-Schoeller-True-Fibre-200gsm-335x485.jpeg)
Moshekwa Langa
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![](https://artthrob.co.za/wp-content/uploads/2022/08/Lunga-Ntila-SomethingKeepsCallingMe-2019-DigitalCollage-on-Felix-Schoeller-True-Fibre-200gsm-335x485.jpeg)
![](https://artthrob.co.za/wp-content/uploads/2022/08/A4Customs_JonxPillemer-16-335x485.jpeg)
Subverted structures: ‘Customs’ at A4
![](https://artthrob.co.za/wp-content/uploads/2021/08/Screenshot-2021-08-24-at-11.49.55-AM-335x485.png)
To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson
![](https://artthrob.co.za/wp-content/uploads/2021/07/Gladys-Mgudlandlu-Suburbs-1280x831-1-335x485.jpg)
Beauty and Prisons: ‘I have made a place’ at Norval Foundation
![](https://artthrob.co.za/wp-content/uploads/2021/07/Territories_I.V22April2144-335x485.jpg)
Impossible Encounters: ‘Territories Between Us’ at ISANG
![](https://artthrob.co.za/wp-content/uploads/2020/01/Langa4-335x485.jpg)
Unstuck Segues: Moshekwa Langa’s ‘Tropic of Capricorn’
![](https://artthrob.co.za/wp-content/uploads/2018/12/Kalashnikovv-Io-Makandal-4-335x480.jpg)
Art-Binge: Joburg, November/ December 2018
![Moshekwa Langa, Overseas II , 2017. Mixed media on paper, Right panel of diptych, 100 x 140 cm](https://artthrob.co.za/wp-content/uploads/2017/10/langa1-335x485.jpg)
Mining Memories for Meaning: Moshekwa Langa’s ‘Fugitive’
![](https://artthrob.co.za/wp-content/uploads/2017/10/Ed-Young-Smac-8-335x485.jpg)
Art-Binge: Joburg, August/September 2017 Mega-binge
![](https://artthrob.co.za/wp-content/uploads/2016/06/Liste-and-Art-Basel-335x485.jpg)
Art Basel & LISTE 2016
![](https://artthrob.co.za/wp-content/uploads/2016/06/IMG_5218-335x485.jpeg)
Art-Binge: Joburg, May 2016
![Moshekwa Langa Lilies of the fields (2016). Mixed media on paper, 122 x 162cm](https://artthrob.co.za/wp-content/uploads/2016/05/lillies_of_the_fields-mixed-media-on-paper-2016-335x485.jpg)
Student Review: Moshekwa Langa’s ‘Ellipses’
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