SMAC Gallery
Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’
Student Review: Giovanni Ozzola’s ‘adrift’
Gory Impasto: Johann Louw’s ‘Loog’
Art-Binge: Woodstock, April 2016
The Queen of Titivation and Prink: Georgina Gratrix’s ‘Puppy Love’
Artsy | 8 Projects Asserting Contemporary African Art’s Equal Standing to Unfold at The Armory Show
Art-Binge: Woodstock, August 2015
The Forgery of Sculpture
The Religion of Despair
The Endless Absence of Délio Jasse
Mutinous cubes and delinquent rectangles. A look at Trevor Coleman’s abstract work from 1960-1977
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