WHATIFTHEWORLD Gallery

A review by Isabella Kuijers

Everyday dissolution: Mia Chaplin’s ‘Mouth’

A review by Ashraf Jamal

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

Michele Mathison Intrusion, 2017. Pallisandro marble

A review by Isabella Kuijers

The Movement of Stone: Michele Mathison’s ‘States of Emergence’

A review by Artthrob

Athi-Patra Ruga at WHATIFTHEWORLD

Mohau Modisakeng, Passage 6 2017. Ink-jet print on Epson Hot Press Natural, 170 x 135 cm, Edition of 6 + 2 AP

A review by Artthrob

Mohau Modisakeng at WHATIFTHEWORLD

Michele Mathison, Extrusion, 2017. Granite and steel, approx. 203 x 130 x 123 cm

A review by Artthrob

Michele Mathison at WHATIFTHEWORLD

Mia Chaplin, Animal Skin, 2016. Oil on linen, 32 x 27 cm

A review by Artthrob

Mia Chaplin at WHATIFTHEWORLD

Simphiwe Ndzube, Inevitable Journey to Mars I, 2016. Acrylic paint on perspex print, 120 x 240 cm

A review by Nkule Mabaso

Perched at the edge of Precarity: Simphiwe Ndzube’s ‘Becoming’

Buhlebezwe Siwani, Qunusa! Buhle, 2015. Inkjet print on Hahnemuhle Photorag, 111.8 x 55.4 cm (each)

A review by Artthrob

Skattie Celebrates Buhlebezwe Siwani @ WHATIFTHEWORLD/GALLERY

Lungiswa Gqunta, Divider, 2016. Mixed media installation (knotted fabric, and beer bottles), approx. 210 x 700 x 340cm

A feature by Houghton Kinsman

Playing with fire: Conversations with Lungiswa Gqunta

A feature by Artthrob

WHATIFTHEWORLD and Southern Guild open in Joburg

A picture collection by Artthrob

Art-Binge: Woodstock, June 2016

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Cameron Platter, Sex Slaves. Silkscreen on archival cotton rag paper, 66.5 x 50.5 cm

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