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Wim Botha

A review by Ashraf Jamal

Newness Enters the World: Stevenson’s ‘When Works Meet’

A review by Nkhensani Mkhari

Otherscapes: A Meditation on South Africa’s Past, Present and Future

A story by Artthrob

Spotlight on Investec Cape Town Art Fair Digital Event 2021

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A feature by

Tim Leibbrandt

‘Both, And’ Interview: Stevenson at 15

Wim Botha, Untitled (Bloom 9), 2016. Wax pigment, crystal, polystyrene, glass, film, and wood, 22 x 14,5 x 11 cm
A student review by Daniel Rautenbach

Student Review: Wim Botha at Stevenson

Wim Botha, Untitled, 2016. Ink on paper, 35 x 50cm
A student review by Artthrob

Wim Botha at Stevenson

A feature by Alexander Opper

Recovering and Uncovering Wim Botha

Haroon Gunn-Salie at Goodman Gallery
A picture collection by Kira Kemper

Art-Binge: Joburg, August 2015

Rowan Smith, Nothing Lasts Forever Cecil, 2014. Bronze, powder coated mild steel, tempered glass, swarm of bees, 208.5 x 92 x 74.6 cm (Case alone: 90 x 60 x 73.2 cm)
A picture collection by

Chad Rossouw

The Falling Monument

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Hentie van der Merwe, Bijimer groups. Set of 4 Lambda prints, Each: 25 x 25 cm

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