• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Archives for February 2019

A feature by Chaze Matakala

The Essence of Pan-African Arts at the Investec Cape Town Art Fair

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

A feature by Nolan Stevens

A Time For Art

A feature by Tamar Garb

For Bisi Silva: A Personal Tribute

A feature by Artthrob

Spotlight on Investec Cape Town Art Fair 2019

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A feature by Artthrob

Quality and Growth: In conversation with ICTAF’s Laura Vincenti

A review by Cheriese Dilrajh

Uncovering Hidden Narratives: ‘Proclamation 73’ at Durban Art Gallery

A review by Tymon Smith

Imagined Topographies: Gerhard Marx’s ‘Ecstatic Archive’

A review by Kopano Maroga

A Gathering of Sorts: Kaloki Nyamai’s ‘Mwaki Nginya Evinda Enge’

A review by Nkgopoleng Moloi

Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA

A student review by Cheriese Dilrajh

Student Review: Putting the Love in Revolution [MATING BIRDS Vol.2]

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Black Monkey Thorn. A chine-collé silhouetted image on de-acidified book pages. Black Monkey Thorn forms part of his analysis of the forms of different trees indigenous to South Africa. Each impression in the edition has a different book page, 27 x 32 cm

Buy

Great

Art