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Archives for October 2025

A news item by ArtThrob Editors

Call for Submissions: Javett-UP’s ‘Tlhagella Incubation Programme’

A student review by Mbusi Mzolo

Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery

A review by Nolan Stevens

Those who can: ‘IMPACT is a verb’ at FADA Gallery

A student review by Ellen Augustyn

Recalling: ‘Reflections of a Queen’ at AVA Gallery

A student review by Drew Haller

After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery

A review by Zada Hanmer

Caught in the Matrix: ‘Force Majeure’ at Vela Projects

A news item by ArtThrob Editors

Proof of Life: Ravelle Pillay at the National Portrait Gallery

A feature by Nkgopoleng Moloi

Bathing in Paradox: An Interview with Athi-Patra Ruga

A student review by Tara Hall

What Remains: Adelheid Frackiewicz’s ‘Drawing the Line’ at AVA Gallery

A review by Winnie Sze

Of Rivers and Beauty: The 36th Bienal de São Paulo

A review by Keely Shinners

The Underside of Making: Kamyar Bineshtarigh’s ‘Group Show’ at Southern Guild

A news item by ArtThrob Editors

Tears Now But Heaven Tomorrow: An Exhibition Honouring the Legacy of Githan Coopoo

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Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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