• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Tymon Smith

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

A review by Tymon Smith

Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’

A review by Tymon Smith

Ties That Bind: ‘I Am Because You Are: A Search For Ubuntu’ at the Standard Bank Gallery

El Anatsui, Horizon,, 2016. Installation View: Goodman Gallery, Johannesburg
A feature by Tymon Smith

Bringing it Home: Curator Bisi Silva on El Anatsui’s ‘Meyina’

A review by Tymon Smith

Action/Reaction: John Murray’s ‘Aftermath’

Hasan and Husain Essop, Refugees, 2016. Pigment inks on cotton rag paper, 100 x 150 cm
A review by Tymon Smith

Poignant Re-presentation: Hasan and Husain Essop’s ‘Refuge’

Brett Murray, Again/Again (Monumental), 2015. Bronze, 250 x 182 x 265 cm
A review by Tymon Smith

😂 Until You 😭: Brett Murray’s ‘Again Again’

Clive van den Berg, A pile of stones(detail), 2016.
A review by Tymon Smith

Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’

Joël Mpah Dooh, Since We Last Met, 2016. Installation View: Gallery MOMO, Johannesburg
A review by Tymon Smith

Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’

A review by Tymon Smith

█████████: Vincent Bezuidenhout’s ‘Fail...'

A review by Tymon Smith

Singing Agnus Dei in the shower: Jake Singer’s ‘CATASTROPHES’

A review by Tymon Smith

An important departure for a real conversation: Zanele Muholi’s ‘Somnyama Ngonyama’

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

Buy

Great

Art