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Igshaan Adams

A review by Courtney Drysdale

Uncanny Nostalgia: Igshaan Adams’ ‘When Dust Settles’

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

Igshaan Adams (in collaboration with Kyle Morland), Stoflike-oorskot, 2016. Woven nylon rope string and mild steel, approx 300 x 120 x 240 cm
A student review by Daniel Rautenbach

Student Review: Igshaan Adams’ ‘Oorskot’

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

Igshaan Adams Plate 10, from the series 'Neoscope', 2014. Found fabric, thread, brass-plated rail, 120 x 152 cm
A review by Lloyd Pollak

Faith and Ambiguity: Igshaan Adams’ ‘Parda’

No fixed Abode, 2014. Installation view: The New Church Museum
A review by Thea Ferreira

Student Review: No place like home

Beyond Subject and Object, 2014. Installation view: Michaelis Galleries
A review by Anja de Klerk

Student Review: Between Subject and Object

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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