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Chad Rossouw

A review by Portia Malatjie

Maths and Bodies: Pamela Phatsimo Sunstrum’s ‘Polyhedra’

A review by Nicola Kritzinger

Disconcerting Securities: Carla Busuttil’s ‘choice.click.bait.’

A story by Artthrob

New Breed Art Competition

Sethembile Msezane performing in front of the Rhodes statue. Photograph: Charlie Shoemaker/Getty Images Europe
A feature by

Chad Rossouw

Censorship doesn’t work bottom up: On the UCT art controversy

A feature by Sue Williamson

Sue Williamson’s Diary: Not since the painting of the Sistine Chapel …

Moshekwa Langa Untitled, 2008/9. mixed media on paper 140x100cm.
A story by Artthrob

Archive Dive: Moshekwa Langa

A review by Isabella Kuijers

Gory Impasto: Johann Louw’s ‘Loog’

A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

A review by Artthrob

iQhiya at the AVA

Buhlebezwe Siwani Zem'inkomo Nongqawuse, 2015. Performance still: STEVENSON, Cape Town
A feature by Houghton Kinsman

In or Out? Joost Bosland on Stevenson’s Ramp Project

A review by Isabella Kuijers

Gold mine or mine field? Jonah Sack’s ‘Obstruction’

A review by Artthrob

Falling Into One Another | Ruth Prowse

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Georgina Gratrix, Flowers for I.G. Silkscreen on Zerkall Intaglio 250gsm, 50.5 x 65.5 cm

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