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keely

A review by Georgia Munnik

For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A review by Ben Albertyn

Sleepovers and Other Performances: ICA Live Art Festival 2022

A student review by Tazmane Hoon

Sonic guides: Tracey Rose’s ‘Shooting Down Babylon’

A student review by Logan Van Zyl

Frame & Reframe: Johannes Phokela’s ‘Only Sun in The Sky Knows How I Feel (A Lucid Dream)’

A review by Zoé Samudzi

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

A feature by Lindiwe Mngxitama

Of opaque tongues and a poetics of abstraction: A conversation with Kamyar Bineshtarigh 

A review by Misha Krynauw

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

A feature by Ashraf Jamal

Plus Ultra: Brett Shuman’s Signs and Sequences

A review by Lumumba Mthembu

Interrupting the Archive: Luvuyo Equiano Nyawose’s  eBhish’

A review by Georgia Munnik

Pulling Forces: Antonia Brown and Matheline Marmy

A review by Lukho Witbooi

Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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