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nkgopoleng

A student review by Zimkhitha Mabonga

False Hope: Kamva Matuis’s ‘Spes Bona’ at Lemkus Gallery

A news item by ArtThrob Editors

2025 Sasol New Signatures: Honours student from Gqeberha take the prize

A feature by Nkgopoleng Moloi

Art in the Global South: An interview with Clive Kellner of the Joburg Contemporary Art Foundation

A news item by ArtThrob Editors

Lord, I gotta keep on (movin’): Athi-Patra Ruga at The Leslie-Lohman Museum of Art in New York

A review by Nkhensani Mkhari

New Suns: ‘Re:Fuse-Ability’ at FADA Gallery, University of Johannesburg

A review by Tiyani Rikhotso

Poetic Impressions: Tumelo Mtimkhulu’s ‘I, one drop plus one drop makes a bigger drop, not...'

A review by Lukho Witbooi

But there is one world: ‘Thresholds’ at Southern Guild in Cape Town

A feature by Joni Brenner

The Joyful & Painful Flow of Life: Bronwen Findlay’s ‘One thing leads to another’...'

A news item by ArtThrob Editors

Diriyah Biennale 2026: South African Curator Kabelo Malatsie Joins International Team To Shape Biennale’s...'

A news item by ArtThrob Editors

Watery Reflections: ‘And I, a newly evolved fish’ at The CHR’s Iyatsiba Lab

A news item by ArtThrob Editors

The Poetics of Quiet: Naledi Maifala Wins the 2025 ANNA Award

A news item by ArtThrob Editors

2025 FNB Art Prize Winner: Maseru-based artist Thato Toeba

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Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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