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Tim Leibbrandt

A story by Artthrob

Call for Proposals: South African Pavilion at Venice Biennale 2019

A story by Sue Williamson

Zeitz MOCAA: The Way Forward

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A news item by Matthew Blackman

Zeitz MOCAA Inquiry: Coetzee Attempted to Stop Disciplinary Action

A story by Artthrob

Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

A picture collection by Artthrob

Art-Binge: Joburg, May 2018

A review by Ashraf Jamal

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

A review by Misha Krynauw

Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’

A review by Michael Smith

Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’

A review by Scott Eric Williams

Throwing Shade: ‘Shady Tactics’ at SMAC

A picture collection by Artthrob

Art-Binge: Joburg, April 2018

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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