Fragments on Belinda Blignaut’s ‘Thrown’
Performative Politics and the Commoditisation of the Black Artist: Towards an Epidemiology of Institutional...'
Art-Binge: Joburg, March 2018
Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’
Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’
InterseXion at Iziko South African National Gallery
Professional Confessional: Banele Khoza’s ‘LOVE’
Art-Binge: Joburg, February 2018
Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’
Ties That Bind: ‘I Am Because You Are: A Search For Ubuntu’ at the Standard Bank Gallery
Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’
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