Primary
Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’
What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’
Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
Generations: An interview with curators Natasha Becker and Amogelang Maledu
Artists Announced: The 2024 South African Pavilion at the 60th La Biennale di Venezia
Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’
A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’
Nothing more to show!
No more pages to load
