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A feature by Mpumi Mayisa

Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’

A feature by Nkgopoleng Moloi

Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair

A feature by Nkgopoleng Moloi

Generations: An interview with curators Natasha Becker and Amogelang Maledu

A news item by Artthrob

Artists Announced: The 2024 South African Pavilion at the 60th La Biennale di Venezia

A review by Georgia Munnik

Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’

A review by Artthrob

Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’

A review by Misha Krynauw

A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’

A news item by Keely Shinners

Contradictions of Looking: A (Final) Letter from the Editor

A review by Julia Snowball

The Transience of Time: Zayaan Khan’s ‘A Practice in Light and Death’

A story by Artthrob

Best of 2023: Contributors’ picks

A review by Ben Albertyn

The Walking Cure: Infecting the City 2023

A review by Georgia Satchwell

Protagonists in blue: Lisa Brice’s ‘LIVES and WORKS’

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