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A review by Sue Williamson

Back to The Future: ‘Still Here Tomorrow to High Five You Yesterday’ at Zeitz MOCAA

A review by Keely Shinners

Found rather than created: Marinella Senatore’s ‘Bodies in Alliance / Politics of the Street’

A review by Ashraf Jamal

Archaeology of an Absence: Bronwyn Katz’s ‘/ // ! ǂ’

A review by Christa Dee

Prepossessing the Future: Zana Masombuka’s ‘Time’

A news item by Artthrob

South Africa Announces Artists and Curators For Venice Biennale 2019

A feature by Chaze Matakala

The Essence of Pan-African Arts at the Investec Cape Town Art Fair

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

A feature by Nolan Stevens

A Time For Art

A feature by Tamar Garb

For Bisi Silva: A Personal Tribute

A feature by Artthrob

Spotlight on Investec Cape Town Art Fair 2019

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A feature by Artthrob

Quality and Growth: In conversation with ICTAF’s Laura Vincenti