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A review by Christa Dee

Green Expectations: Jody Paulsen’s ‘Water Me’

A review by Lucienne Bestall

Stone Cold: Alfredo Jaar’s ‘Men Who Cannot Cry’

A feature by Chad Rossouw

Memory, metonym and optimism: in conversation with Alfredo Jaar

A review by Scott Eric Williams

Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG

A review by Keely Shinners

What being looked at feels like: ‘About Face’ at Stevenson

A feature by Ashraf Jamal

Minuments and Moreness: Richard John Forbes

A review by Misha Krynauw

Emboldened Conversations: ‘KWAAI’ at Eclectica Contemporary

A review by Keely Shinners

Towards a Queer Liturgy: ‘Sunday Service’ at GUS

A review by Nkgopoleng Moloi

Planted Knowledge: Uriel Orlow’s ‘Theatrum Botanicum’

A review by Dave Mann

A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s...'

A review by Thuli Gamedze

In the Between: Sam Nhlegethwa’s ‘Waiting’

A review by Keely Shinners

Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG

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Design by Blackman Rossouw

Lisa Brice, Untitled, 2007. A three colour lithographic print on Arches paper, 66 x 50.5 cm

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