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Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A feature by Matthew Blackman

The Memory of Things Present

A news item by

Matthew Blackman

Venice Biennale: Artists and Vision Announced

Burning Museum, Burning Bridges series. Strand street (beneath the N2 flyover, Woodstock) Image from the Van Kalker archive
A feature by Tim Leibbrandt

The Agonistic Politics of Burning Museum

Venice Biennale 2013
A news item by

Chad Rossouw

Venice Curators Announced

A feature by Sue Williamson

Sue Williamson’s Diary: Venice and The World

Pierre Fouché, James (detail), 2015. Silk floss, wood, brass pins, 14.4 x 32.8 cm
A review by Anna Stielau

Wound Thread: Pierre Fouché’s lacemaking

Zeitz MOCAA
A feature by Matthew Blackman

An Open Letter to Jochen Zeitz and Mark Coetzee

Igshaan Adams Plate 10, from the series 'Neoscope', 2014. Found fabric, thread, brass-plated rail, 120 x 152 cm
A review by Lloyd Pollak

Faith and Ambiguity: Igshaan Adams’ ‘Parda’

Kemang Wa Lehulere, falling event 2, 2014. Ink on paper, 70.5 x 100 cm © Copyright 2015, STEVENSON. All rights reserved.
A review by Tim Leibbrandt

Investigating Kemang Wa Lehulere

Penny Siopis Pinky Pinky series, 2002-2005. Installation of 10 paintings, oil and found objects on canvas
A review by Anna Stielau

Penny Siopis’ Time and Again

Centre for Visual Art Spacial Stories, Metropolitan State University, Denver, Colorado, USA
A story by Artthrob

Spatial Stories | Topographies of Change in Africa

Donna Kukama The Swing (after after Fragonard), 2009. Photographic documentation of a performance in Johannesburg. Image by Matthew Burbidge
A story by Hyperallergic

New Museum’s 2015 Triennial

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