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Review

A review by Bongo Mei

The Body Has Many Shadows: The Sculptures of Sydney Kumalo and Ezrom Legae

A review by Misha Krynauw

Each line a reckoning: Portia Zvavahera’s ‘Pane rima rakakomba’

A review by Sihle Motsa

Plantation Inheritances: Zenaéca Singh in ‘US’

A review by Nkhensani Mkhari

Otherscapes: A Meditation on South Africa’s Past, Present and Future

A review by Ben Albertyn

Tripping at the National Arts Festival

A review by Vusumzi Nkomo

On the Structure(s) of Abstraction: Mongezi Ncaphayi’s ‘Standard of Language’

A review by Ntokozo Dladla

Lines of sight: Thato Toeba’s ‘Phate lia Lekana’

A review by Ben Albertyn

Convivial Tools: Khanya Mashabela’s ‘Common’

A review by Kim M Reynolds

Story and symbol: Faith Ringgold and Hank Willis Thomas’ ‘Freedom is Going Home’

A review by M Thesen Law

Process and practice: blank’s ‘IO’

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

A review by Ben Albertyn

Tell it slant: Kasia Stefańczyk and Johno Mellish at THK

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Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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