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Review

A review by Misha Krynauw

Sacred Threads: Igshaan Adams’ ‘Holy Terrain’ at blank projects

A review by Winnie Sze

For Dear Life: Penny Siopis’ retrospective at the National Museum of Contemporary Art in Athens

A review by Ashraf Jamal

Newness Enters the World: Stevenson’s ‘When Works Meet’

A review by Keely Shinners

The Kids Are Alright: Grad Show Roundup 2024

A review by Ukhona Mthethwa

On Transformation: A Reflection on Warren Maroon

A review by Tiyani Rikhotso

Threads of Resistance: ‘Unravel – The Power and Politics of Textiles in Art’ at Stedelijk...'

A review by Dumisani Mnisi

Overflowing Swag: Stephen Langa’s ‘Inceptions of Black Serenity’

A review by Ben Albertyn

Washed out: Dale Lawrence’s ‘Over the outwash plain’ at RESERVOIR

A review by Zada Hanmer

Meditations on Tracing: Lindokuhle Sobekwa’s ‘Umkhondo: Going Deeper’ at the Johannesburg Art Gallery

A review by Melissa Baksh

Making Worlds: Pamela Phatsimo Sunstrum’s ‘It Will End In Tears’ at the Barbican

A review by Sihle Motsa

Sites of Historical Accumulation: Vusumzi Nkomo’s ‘Propositions for dis-order’ at THK...'

A review by Sean O'Toole

Elemental Myths: Diana Vives’ ‘The Fire in the Mind’ at Everard Read CIRCA Gallery

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