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Review

William Scarbrough, Weight of the World, 2015. Performance: Michaelis Galleries, July 7.
A review by Tim Leibbrandt

On a Razor Edge: William Scarbrough’s ‘Weight of the World’

Ian Grose, Dissimulation 13, 2015. Oil on linen, 168 x 149cm
A review by Lwandile Fikeni

Ian Grose: On Art, materiality and materialism

'Speaking Back', installation view: Goodman Gallery Cape Town, 2015
A review by Nkule Mabaso

Nothing Wrong with Speaking Back: Thoughts on an Exhibition

Athi-Patra Ruga, The Elder of Azania, 2015. Performance: National Arts Festival
A review by Anna Stielau

An Extravagant Vehicle for Fantastical Content: Athi-Patra Ruga’s The Elder of Azania

Kemang Wa Lehulere Another Homeless Song (for RRR Dhlomo) 1, 2015. Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
A review by Vincent Bezuidenhout

Rewriting History: Kemang Wa Lehulere’s History Will Break Your Heart

Jared Ginsburg 'The Natural World parts 2, 3, 4, 5 and 6' 2015. Installation view: blank projects
A review by Mitchell Messina

Jared Ginsburg’s Natural World

Ephrem Solomon, Forbidden Fruit 22, 2015. Woodcut and mixed media, 40 x 40cm.
A review by

Tim Leibbrandt

Nine Artists in Nine Words

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A review by Lwandile Fikeni

Dan Halter: Immigration and the Problematic of Representation

A review by Mpho Moshe Matheolane

Sheets of Imprisonment: Turiya Magadlela’s ‘Kaffersheet’

Dominique Edwards Untitled (2015), Video installation. Time looped
A review by

Tim Leibbrandt

With Pulp: Dominique Edwards’ ‘Buikspraak/Gutspeak’

A review by Isabella Kuijers

Hazy Worlds: Alexia Vogel’s ‘Lost in Reverie’

Lisa Brice, Untitled xxxviii, (Well Worn 2), 2015. Ink and gesso on cotton, 122 x 102 cm.
A review by Michael Smith

Wearing Well: Lisa Brice’s ‘Well Worn’

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Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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