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Review

Forged. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Forgery of Sculpture

Adam Broomberg & Oliver Chanarin, Haggai, 2013. King James Bible, Hahnemühle print, brass pins, Framed: 34.5 x 45.5 x 5 cm. Edition of 3
A review by Isabella Kuijers

The Gospel According To Broomberg And Chanarin

Pierre Fouché, James (detail), 2015. Silk floss, wood, brass pins, 14.4 x 32.8 cm
A review by Anna Stielau

Wound Thread: Pierre Fouché’s lacemaking

Igshaan Adams Plate 10, from the series 'Neoscope', 2014. Found fabric, thread, brass-plated rail, 120 x 152 cm
A review by Lloyd Pollak

Faith and Ambiguity: Igshaan Adams’ ‘Parda’

Kemang Wa Lehulere, falling event 2, 2014. Ink on paper, 70.5 x 100 cm © Copyright 2015, STEVENSON. All rights reserved.
A review by Tim Leibbrandt

Investigating Kemang Wa Lehulere

Penny Siopis Pinky Pinky series, 2002-2005. Installation of 10 paintings, oil and found objects on canvas
A review by Anna Stielau

Penny Siopis’ Time and Again

Johan Louw, Gestaltes, 2014. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Religion of Despair

Jeannette Ehlers Black Bullets, 2012. Single channel video, Edition of 5 + 2 AP
A review by Lloyd Pollak

Anyway, the Wind Blows

Délio Jasse, Ausência Permanente, 2014. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Endless Absence of Délio Jasse

Sue Williamson There's something I must tell you (detail), 2013. Video Installation
A review by Lloyd Pollak

There’s something I must tell you

Olivié Keck The After Party (detail), 2014. Linen, silk and embroidery cotton, 120 x 147 cm
A review by Anna Stielau

The Looming Presence of Olivié Keck

Chris van Eerden, They See Me Rollin, 2014. Freshwater Pearl, stolen palette, mixed media, 295 x 100 x 20 cm
A review by Mitchell Messina

The Shelly Monster and Other Art Objects of Chris van Eeden

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William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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