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Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’
What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
Generations: An interview with curators Natasha Becker and Amogelang Maledu
Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’
A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’
The Transience of Time: Zayaan Khan’s ‘A Practice in Light and Death’
The Walking Cure: Infecting the City 2023
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