Secondary
Class is in Session: Knowledge Dissemination in Mawande Ka Zenzile’s ‘uZenzile akakhalelwa…’
Capturing Essence: Marlene Dumas’ ‘Portrait of Elisabeth Eybers’ at the Wits Art Museum
Refuge: A Tapestry of Contradictions and Convergence at the 2024 Lagos Biennial
R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair
Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’
What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
Generations: An interview with curators Natasha Becker and Amogelang Maledu
Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
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