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A review by Artthrob

Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’

A review by Misha Krynauw

A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’

A review by Julia Snowball

The Transience of Time: Zayaan Khan’s ‘A Practice in Light and Death’

A story by Artthrob

Best of 2023: Contributors’ picks

A review by Ben Albertyn

The Walking Cure: Infecting the City 2023

A review by Georgia Satchwell

Protagonists in blue: Lisa Brice’s ‘LIVES and WORKS’

A review by Tatenda Magaisa

Love is a Battlefield: Motlhoki Nono’s ‘The Weight of a Kiss’

A review by Julia Snowball

Stilled Moments: Jared Ginsburg’s ‘Objects Move Across a Room’

A review by Georgia Munnik

As above, so below: Billy Langa at ‘Soil Conversations’

A review by Sihle Motsa

Notes on nature, notes on mattering: Nina Barnett and Jeremy Bolen’s ‘Between the Ballast...'

A review by Nkhensani Mkhari

Sculpting time: Pamela Phatsimo Sunstrum’s ‘You’ll be sorry’

A review by Ben Albertyn

More Than Politics: ‘Past Disquiet’ at Zeitz MOCAA

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